Bassnectar has just released his newest mixtape titled “Amorphous Music Mixtape Vol. 7″. This mix captures the essence of a live Bassnectar show, with him utilizing many different tempos and genres, creating something truly unique, of which you don’t hear any other artist do live. This 30 minute mix features some new tracks of his, some exclusive edits and remixes, and features some other great new artists such as Minnesota and Giz-roc as well.

TRACK LIST:  

Beastie Boys – Intergalactic (Bassnectar Remix)
Bassnectar – Wildstyle [live edit]
Futurebound – Blind Cobblers Thumb (Giz-roc edit)
DC Breaks – The More I Want (Bassnectar edit)
BLUR – Song 2 (Bassnectar Remix)
Bassnectar & Jantsen – Red Step
NastyNasty – The Goalie (Bassnectar Remix)
Foamo – Centavo [live edit]
Bassnectar vs Mochipet – Sloppy Face
Shotgun Radio – A Bad Place Ft. Mimi Page (Minnesota Remix)
MyBack – Blomman
Little Jinder – Youth Blood (12th Planet & Flinch Remix)
Bassnectar – Underwater

Download the mix from Bassnectar’s Facebook page here: http://on.fb.me/BassnectarPage

This new joint Ft. Black Pegasus, King Tef, & Johny Rocketz, reps the local music scene in a major way!
The Dead Prez look of the video gives it an old school Hip Hop feel, it’s beat has an original sound as well as the lyrical flow, making sure Colorado’s music scene stays on the map!

Major props to the boys on this one!!

Check it out, the song is called “Not a Game” from the “Council” album coming soon!

More Info:
http://www.memusicempire.com
http://www.kingtef.com
http://www.blackpegasus.com
http://www.johnyrocketz.com

Heres a new remix i just uploaded this week!! Hope you enjoi the free download, feel free to share with your friends. Download it for free below from soundcloud or here [Mediafire link].

Deadmau5 & Kaskade – I Remember (The Digital Connection Remix) by The Digital Connection

Badman Omega, aka Chris Cox, has done it once again with his brand new E.P. ‘Burn.’ The sounds on this one have risen from the fires of hell, up to earth and straight to your eardrums. Get it now on Beatport!

Track List:
1.) Belly
2.) Burn
3.) DADstep VIP

Omega – Burn EP (Preview)

P.S. Here is a FREE Download from Omega:

Natalia Kills – Mirrors (Omega Remix) [mp3] Right Click & Save as to download

After writing new tracks and playing shows in Durango and Steamboat GOT BASS is BACK TO MELT FACES!
RSVP: http://www.facebook.com/events/219679498112183/

FREE 21+
21-only $10

VINNIE MANISCALCO
THE DIGITAL CONNECTION
SETH ABRUMZ
K-MAC

Special Guests

Dirty Little Thieves
B34N5
Eldest
Two Scoops

AND MORE TBA

ALL Responsible Ages

GOT BASS MUSIC
http://www.facebook.com/gotbassmusic

WHERE’S THE PARTY AT?™ Mobile Music & Nightlife Application. Available for iPhone®, iPod touch®, iPad™, Android™ & all other mobile web enabled devices!
http://www.facebook.com/Wheresthepartyatapp

COLORADO NIGHTLIFE NETWORK
http://www.facebook.com/pages/Colorado-Nightlife-Network/146568872085819

To support his debut studio album WONDERLAND, due out January 17, 2012 via New York-based Ultra Music in conjunction with his own label Dim Mak Records, DJ/producer and electronic dance music entrepreneur STEVE AOKI will launch his biggest tour ever: DEADMEAT, presented by Dim Mak.

For the DEADMEAT Tour, AOKI will partner with dubstep’s hottest new producer and Dim Mak label mate Datsik. The pair will travel across North America throughout winter 2012 and perform at some of the most renowned theaters and concert arenas, including the Bill Graham Civic Auditorium in San Francisco, the Fillmore in Denver, Boston’s House of Blues, Montreal’s Metropolis and New York City’s legendary Roseland Ballroom (Los Angeles details are forthcoming).

The DEADMEAT Tour will showcase the debut of new live visual productions from both AOKI and Datsik alongside an all-star supporting lineup of some of the most sought-after, up-and-coming producers in electronic music today, including Alvin Risk, Mustard Pimp, Autoerotique, Dimitri Vegas & Like Mike and Terravita, who will perform throughout the trek on alternating dates. More supporting acts and dates will be announced soon.

Steve Aoki’s debut album “Wonderland” in stores Jan 17 on Ultra Music / Dim Mak Records

Datsik’s debut album coming out April 2012 on Dim Mak Records

Get tickets for the Denver date now!

For tour dates & more info visit: http://deadmeattour.com/

RSVP ON FACEBOOK

FREE EP ‘RED TIDES’ COMING AT 750 LIKES (http:www.facebook.com/gbmvinnie) w/ REMIXES FROM THE DIGITAL CONNECTION, DOCTYPE, BEN SAMPLES, & Tyler Layers.

Free download, I was super inspired by this quote from Steve Jobs, I hope it can inspire you too!

Euphonic Conceptions is at it again with yet another massive lineup !! Featuring some of the top dogs in underground bass music, this is sure to be one hell of a show! The night will be filled with tons of original and unique bassy goodness, each artist shares a similar style, but they are all very different from each other in there own ways.

One of my personal favorites for the last year or so, California based NastyNasty will be playing his signature 808 lazer bass style Glitch-hop. Jasper is a master of turning any dance floor into a west coast rager, i got a chance to catch him at this years Sonic Bloom. His new EP Poison Flavored is something totally different. Each song seems to portray a different vibe while still retaining an overall feel. You can tell each one of the tracks on the EP took countless hours of work and constant tweaking. Its sure to bring a smile to some faces this Saturday.

Hailing from Los Angeles, producer & performer R/D is sure to bring some heaters. Rocking his crunchy Glitch style, this set is sure to be one to get everyone moving. R/D just released a brand new EP this week titled “Bay/Crush” is a definite banger. With elements of epicness, ambience, and heavy bass this EP is sure to do great on the charts, sitting at the #1 spot on the Glitch-Hop charts on Beatport right now.

Legendary iLL Gates is known best for his collaborations with big names like Bassnectar, Mim0sa, Opiou, Samples, Datsik & Mat The Alien to name a few. Also a renouned music production guru, he does an Ableton workshop for kids interested in getting into music production and Ableton which has been said to be amazing. iLL Gates sets himself apart from his peers with his constant changing style and careful attention to detail. His latest album, “The iLL.Methodology” has been stirring up all kinds of talk. Its got everything a bass music lover could ask for on there, Dubstep, Glitch-Hop, Hip-Hop, and his take on the genre Moombahton he calls “Moombahglitch”. iLL Gates may be a master in the studio, but just wait till you see him take his mastery to the stage live.

Last but not least, “Ninja Tune Records” artist Starkey will be topping off the night with some of his original space vibe dubstep beats. Starkey is also the only non-UK DJ to host a radio show on BBC’s Radio 1. His beats are supported by some of the biggest names in the bass music community, yet still little is known about him. His music features lots of melodic arps, crunchy square wave basses, and ambient pads. His music seems to be all about taking the listener on an unexpected journey, constantly experimenting with sounds and rhythms along the way. There will also be local support from Denver local “Seied”.

If your looking to do something a little different this weekend, i would highly suggest attending this show. Its so great to see such a solid lineup of unique artists. This is sure to be a show that will hold concert-goers attention all night long. See you all there!!!

Tickets are on sale at Cervantes website/boxoffice for 18$, they will be 22$ at the door.

Facebook Event

Euphonic Conceptions Website

Receiving a perfect score of 10 and named the “money shot release” in the new issue of Mixmag, “The Low FreQuency Pureland EP” marks DJ/Producer FreQ Nasty’s re-entry – with a vengeance – into the world of boundary-pushing music.

“I specifically avoided making dubstep on this EP as my modus operandi has always been –“look which way the crowd is moving and run in the opposite direction,” FreQ Nasty says. “Having said that, the crunkstep vibe of “1000 Buddha’s…” was made with that 100 BPM-808-Hyphy Hip-Hop sound in mind, but then other influences snuck in there too. And in the end my tunes never turn out quite how I imagine them to. So I don’t know what genre you would put these tracks in specifically. Not dubstep? Post dubstep? It doesn’t really matter at the end of the day as new genre’s often start in one physical location but very soon spread to anywhere you can get a half way solid link to the internet. This EP dropped out of AT&T’s broadband network somewhere between London and California. I hope you enjoy it as much as I enjoyed getting back in the studio.”

Digging into the tracks, “Warm Dark Place” is a glitch-hop and drumstep hybrid of equal parts West Coast glitch hop and UK tear-out. The influence of FreQ Nasty’s time in the US Bass heaven of California is obvious with a haunting melodic refrain offsetting the hefty bass pressure. “1000 Buddhas of the Pureland of Bass” is a crunkstep roller that takes the uptempo Hip-Hop beats of the Northern Californian Hyphy movement and welds them to seismic 808 bassline. FreQ Nasty played this across the summer of 2011 and the 808 bass solo in the middle gets them screaming every time. “The Heart of Definitive Meaning” is a journey into the more reflective side of bass music. Swathes of guitar over a backdrop of distant chimes and revolving chords all served on a bed of deep sub bass. It evolves slowly with an almost subliminal drop into angular stabs of low frequency voltage.

Born in Fiji, raised in New Zealand and formed musically in the dance music revolution of London in the late 90’s, FreQ Nasty started his career on the seminal UK label Botchit & Scarper, moving to SKINT Records in 2003. He went on to release a slew of cutting-edge records, collaborating with and remixing a diverse range of artists including Fatboy Slim, Kelis, KRS One, Roots Manuva, Rodney P, and Reggae legend Junior Delgado. 2008 saw the release of ‘Creator’, his crossover hit collaboration with MIA producer Switch and NYC hipster Santogold, and the ground breaking FABRICLIVE 42 mix CD, which was picked as DJ Magazine’s compilation of the month. He is one of Burning Man festival’s most loved DJs, where he brings his signature mix of drumstep, glitch-hop, dubstep and all things Bass heavy every year. 2011 saw the release of “Dread at the Controls” on California’s Muti Music, which launched the 17-city Monsters of Bass tour with Marty Party and Opiuo. With the cutting-edge re-design of his website, launch of his new label, FreQ Nasty Recordings, and worldwide release of his new EP, supported by online, blog, and international press coverage, FreQ is making a powerful entry into 2012.

The Bass

1 – Warm Dark Place (Original Mix) Buy on Itunes

2- 1000 Buddhas of the Pureland of Bass [mp3] To Download: Right-Click -> Save as…

3 – The Heart of Definitive Meaning Buy on Itunes

The year 2011 has seen dubstep shift into the mainstream exponentially. In January, Britney Spears’ newest single “Hold It Against Me” had a short dubstep breakdown, produced by superstar pop producers Max Martin and Dr. Luke. This was the first time anybody had heard dubstep on the radio (whether they knew what it was or not). Fast forward to May and flipping through your local metal station you could hear KoRn and Skrillex’s new song “Get Up!”, the lead single on KoRn’s new album to be released in December. Another single was released in October, produced again by Skrillex, as well as up-and-comer Kill The Noise. In interviews with lead singer Jonathan Davis, he refers to this new album as “future metal”, working with dubstep producers Skrillex, Datsik, Feed Me, Excision, 12th Planet, Downlink, Kill The Noise, and Noisia, to make an album that is “very well-rounded, with a mix of mellow, upbeat tracks; possibly the most well-proportioned KoRn album of all time.”

First off, if you’re expecting this to be in any way some deep melodical dubstep, look elsewhere. This is brostep through and through. After listening to the entire album I have to say I was somewhat disappointed. I found myself fast forwarding the tracks a lot, and I noticed that it was always once lead vocalist Jonathan Davis started to sing. His nasally voice just doesn’t sound good over these hard dubstep backing tracks. The only track that that I thoroughly enjoyed was most of the track “Fuels The Comedy” (produced by Kill The Noise). This track is great when Jonathan is rapping/yelling, and this is what really works well with this type of Dubstep, not singing. Some true head banging music. This album is trying to be hard, and the vocals don’t cut it. I think the vocalist from Lamb of God or any other metalcore band could have pulled this off much better (maybe not as radio friendly as KoRn, though).

Besides the vocals, the productions didn’t impress me much either. I’m a fan of all the artists featured on this release, and nothing in here is very new or revolutionary for them, and doesn’t showcase as much of their creativity as it should. It seems as if they were instructed to center everything around the vocals, which left them little to play with or be creative on. I wish the producers were featured as much as the vocals, which could have been really awesome, having some one or two minute-long dubstep breakdowns with no vocals whatsoever. However, I must say that Munky and Fieldy did an excellent job accompanying the crazy dubstep synths with their guitars.

Altogether this album was a letdown for me. I’m sorry if you’re a KoRn fan and this offends you, but I think they did this as a ploy to appeal to the youth of today (let’s face it, KoRn fans are getting older). On the subject of mixing metal and electro, lead singer Davis says that “since day one, KoRn has always been all about going against the grain, experimenting, and trying to take music different places”. I feel that if their intentions were to really do something so out-of-the-box, they wouldn’t be turning to chart-topping producer Skrillex to help them out with their album (Skrillex has also recently been nominated for 5 Grammys, all of which have nothing to do with his collaborations with KoRn). Electronic music and metal have been joined together before, and the only thing new about this idea is fusing a metal band with dubstep, and turning to some of the most popular producers in an absolutely exploding and money-making scene is a great place to start (sarcasm implied).

Since Britney Spears showed the mainstream media what dubstep is, KoRn’s released an entire dubstep album, Flo Rida has implemented a dubstep-style breakdown in his song “Good Feeling”, and Justin Bieber announced that he’s going to start working with “beats in the club, like dubstep” because that’s “what’s big right now”. KoRn’s “The Path Of Totatality” is the first of the sure-to-be many collaborations of mainstream artists and dubstep producers, let’s just hope some better ones come along.

KoRn – The Illuminati (feat. Excision and Downlink)

KoRn – Lets Go (feat. Noisia)

KoRn – Way Too Far (feat. 12th Planet)

KoRn – Bleeding Out (feat. Feed Me)

KoRn – Fuels The Comedy (feat. Kill The Noise)